Las Reproducciones del Oleo de Europa España no Mínimo

 
 

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Jean Honore Fragonard

1732-1806 French Jean Honore Fragonard Locations

Pintura Identificación::  1259
The Meeting
la Reunión
1771-73 Frick Collection, New York
1771-73 Frick Clección , Nueva York
1732-1806 French Jean Honore Fragonard Locations

   
 

 

 
   
      

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Andrea Mantegna

Italian 1431-1506 Andrea Mantegna Locations

Pintura Identificación::  2716
The Meeting
la Reunión
1474 Palazzo Ducale, Mantua, Italy
1474 Palazzo Ducale, Mantua, Italy
Italian 1431-1506 Andrea Mantegna Locations

   
 

 

 
   
      

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Jean-Honore Fragonard

French Rococo Era Painter, 1732-1806

Pintura Identificación::  10311
The Meeting
la entrevista
771-73, Frick Collection NY
771-73, Frick Colección NY
French Rococo Era Painter, 1732-1806

   
 

 

 
   
      

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Jean-Honore Fragonard

French Rococo Era Painter, 1732-1806

Pintura Identificación::  31803
The Meeting
La Reunión
mk76 Painted in 1771-73 Oil on canvas
mk76 Pintó en 1771-73 Petróleo en la lona
French Rococo Era Painter, 1732-1806

   
 

 

 
   
      

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Charles conder

English-born Australian Painter, 1868-1909

Pintura Identificación::  42159
The Meeting
La Reunión
mk167 c.1895 Watercolo on silk
mk167 C. 1895 Watercolo en la seda
English-born Australian Painter, 1868-1909

   
 

 

 
   
      

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Gustave Courbet

1819-1877 French Gustave Courbet Locations

Pintura Identificación::  55243
The Meeting
mk240 1854 Oil on canvas 129x149cm
1819-1877 French Gustave Courbet Locations

   
 

 

 
   
      

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Andrea Mantegna

Italian 1431-1506 Andrea Mantegna Locations

Pintura Identificación::  87995
The Meeting
between 1465(1465) and 1474 cyf
Italian 1431-1506 Andrea Mantegna Locations

   
 

 

 
   
      

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Andrea Mantegna

Italian 1431-1506 Andrea Mantegna Locations

Pintura Identificación::  87996
The Meeting
between 1465(1465) and 1474 cyf
Italian 1431-1506 Andrea Mantegna Locations

   
 

 

 
   
      

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Andrea Mantegna

Italian 1431-1506 Andrea Mantegna Locations

Pintura Identificación::  87997
The Meeting
between 1465(1465) and 1474 cyf
Italian 1431-1506 Andrea Mantegna Locations

   
 

 

 
   
      

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Andrea Mantegna

Italian 1431-1506 Andrea Mantegna Locations

Pintura Identificación::  87998
The Meeting
Date between 1465(1465) and 1474 cyf
Italian 1431-1506 Andrea Mantegna Locations

   
 

 

 
   
      

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Andrea Mantegna

Italian 1431-1506 Andrea Mantegna Locations

Pintura Identificación::  87999
The Meeting
Date between 1465(1465) and 1474 cyf
Italian 1431-1506 Andrea Mantegna Locations

   
 

 

 
   
      

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Andrea Mantegna

Italian 1431-1506 Andrea Mantegna Locations

Pintura Identificación::  88000
The Meeting
Date between 1465(1465) and 1474 cyf
Italian 1431-1506 Andrea Mantegna Locations

   
 

 

 
   
      

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Marie Bashkirtseff

(Russian: November 11, 1858 October 31, 1884) was a Ukrainian-born Russian diarist, painter and sculptor. Marie BashkirtseffBorn Maria Konstantinovna Bashkirtseva in Gavrontsy near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Acad??mie Julian, one of the few establishments that accepted female students. The Acad??mie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau who Marie viewed as her only rival. Marie would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazis during World War II. From the age of 13, she began keeping a journal, and it is for this she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891. The grave of Marie BashkirtseffDying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.

Pintura Identificación::  94888
The Meeting
1884 cjr
(Russian: November 11, 1858 October 31, 1884) was a Ukrainian-born Russian diarist, painter and sculptor. Marie BashkirtseffBorn Maria Konstantinovna Bashkirtseva in Gavrontsy near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Acad??mie Julian, one of the few establishments that accepted female students. The Acad??mie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau who Marie viewed as her only rival. Marie would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazis during World War II. From the age of 13, she began keeping a journal, and it is for this she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891. The grave of Marie BashkirtseffDying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.

   
 

 

 
   
      

Marie Bashkirtseff
(Russian: November 11, 1858 October 31, 1884) was a Ukrainian-born Russian diarist, painter and sculptor. Marie BashkirtseffBorn Maria Konstantinovna Bashkirtseva in Gavrontsy near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Acad??mie Julian, one of the few establishments that accepted female students. The Acad??mie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau who Marie viewed as her only rival. Marie would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazis during World War II. From the age of 13, she began keeping a journal, and it is for this she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891. The grave of Marie BashkirtseffDying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.
The Meeting

        
 
   
 

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